Actions, thought-experiments and the ‘Principle of alternate possibilities’

Revising the Principle of Alternate Possibilities

This paper examines the position in moral philosophy that Harry Frankfurt calls the Principle of Alternate Possibilities (PAP). The paper first describes the principle as articulated by A.J. Ayer. Subsequently, the paper examines Frankfurt’s critique and proposed revision of the principle and argues that Frankfurt’s proposal relies on an excessively simplistic account of practical reasoning, wh...

On Possibilities and Thought Experiments∗

This paper concerns two related recent books by Nicholas Rescher, Imagining Irreality on possibilities and What If? on thought experiments—see [23] and [24]. The books are related because a theory on thought experiments presupposes a theory on possibilities. The effect of this and of the fact that they have a wider range of application than thought experiments will be that possibilities will re...

‘Ought’ implies ‘can’ and the principle of alternate possibilities

In his paper ‘What we are morally responsible for’,1 Harry Frankfurt claims, in passing, that while the ‘Frankfurt Counterexamples’2 are counterexamples to the Principle of Alternate Possibilities (PAP: An agent is morally blameworthy3 for what she has done only if she could have done otherwise), they are not counterexamples to the famous Kantian maxim that ‘Ought’ implies ‘Can’. In an Analysis...

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the analysis of the role of the speech acts theory in translating and dubbing hollywood films

از محوری ترین اثراتی که یک فیلم سینمایی ایجاد می کند دیالوگ هایی است که هنرپیش گان فیلم میگویند. به زعم یک فیلم ساز, یک شیوه متأثر نمودن مخاطب از اثر منظوره نیروی گفتارهای گوینده, مثل نیروی عاطفی, ترس آور, غم انگیز, هیجان انگیز و غیره, است. این مطالعه به بررسی این مسأله مبادرت کرده است که آیا نیروی فراگفتاری هنرپیش گان به مثابه ی اعمال گفتاری در پنج فیلم هالیوودی در نسخه های دوبله شده باز تولید...